Carrie Lynam Artist in Residence at The Tea Houses

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'Persona Series' solo exhibition. Molesworth Gallery 2021

Carrie Lynam is the current resident artist at the Tea Houses.

 

Her work questions how the erosion of personal privacy in our digital age affects how we view and portray ourselves online. She creates portraits of an era adrift, where identity and information can be ambiguous, manufactured and malleable. Her curiosity lies in the plasticity of knowledge and appearance. Her handmade art objects have a dual function, to transform and obscure. The often-pliable mask can be manipulated into countless temporary facades, it has no single form thus exposing a process of transformation and illusion.

Carrie has used her current residency to explore new directions in contexts and making. Producing a large mixed media drawing ‘Making a Scene’ (200cm x 100cm) alongside a period of research, documented on @notlondonbased. ‘Making a Scene’ splices the real and the imagined to conjure images that are both familiar and disconcerting, true and manufactured.

Kilkenny based visual artist Carrie Lynam graduated with a first class honours degree in Fine Art from TU, Dublin and holds a Post Graduate Diploma in Community Art Education from the National College of Art; Design (NCAD). She is currently a student on the Masters of Design History and Material Culture at NCAD.

She has exhibited nationally and internationally, with work in the permanent collection of The National Museum of Scotland, and various private collections. Winner of The Progressive Vision Curtin O’Donoghue Emerging photography prize at the Royal Hibernian Academy in 2020. Her practise has been documented through feature articles in various print publications such as Irish Arts Review, Dazed, Love, New York Times Style magazine to name a few and as an invited guest speaker at international art and design conferences with Boston University, National Museum of Scotland and Pictoplasma, Berlin. In addition to her solo artistic practice, she engages with diverse collaborations, such as commissions for John Galliano’s couture house Maison Margiela and most recently with Irish artists Dirty Laundry Collective on a film piece, Venous Returns for the National Museum of Ireland, Collins Barracks.

 

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